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Bolivian writer-director Rodrigo ‘Gory’ Patiño acid his filmmaking abilities as a TV commercials administrator for the accomplished seven years, with the casual music video and abbreviate blur amid his credits. His affection debut, “The Goalkeeper” (“Muralla”) is Bolivia’s official admission to the Oscars and the Golden Globes.
After accepting an MFA in blur and TV at Chapman U, Patiño co-wrote and directed the 10-episode TV alternation “The Drop” (“La Entrega”) of which “The Goalkeeper” is a spin-off.
Back home area it had a 10-week affected run, “The Goalkeeper” was the highest-grossing Bolivian blur in 15 years.
Its Spanish appellation “Muralla,” (‘wall’ in English) is the titular appellation of the advance appearance who has becoming it for his blocking abilities as a goalkeeper. With his soccer career abaft him, he is abrading out a active as a auto driver. Atrocious to save his acutely ailing child, he is fatigued into the abyss of animal trafficking to accomplish some austere cash.
Patiño afresh co-wrote and co-directed “Pseudo,” a political abstruseness that follows a auto disciplinarian who gets bent up in a baleful operation back he steals the appearance of a passenger. Both “Pseudo” and “The Goalkeeper” will be at Ventana Sur.
His abutting project, “Rock Paper Scissors,” bound like “Pseudo” with Luis Reneo, promises to be added aggressive as he affairs to blur it in English in Los Angeles. Patiño describes the abstruseness as “three belief of couples whose lives bisect as they obey the argumentation of the game: Adulation kills jealousy, annoyance kills ambition, but appetite kills love.”
Tell me what aggressive you to accomplish “The Goalkeeper.” Is animal trafficking a austere botheration in Bolivia?
I get aggressive by account the news. Reality motivates me to acquaint belief that blow on important issues that charge to be discussed. An boilerplate of eight amateur a day abandon in Bolivia. Animal trafficking has become a blight that generates added money than the actionable biologic barter and is a all-around issue. However, “The Goalkeeper” is aboriginal and foremost the adventure of a ancestor who is atrocious to save his ailing child. I accomplish films that I would like to see in the cinema, abnormally belief that catechism one’s moral compass: Would you be able to accomplish a abomination to save your child? Harsh realities tend to affected fiction and my adroitness feeds on that.
The across-the-board angle of La Paz, the slanted angles and the video-game like photography in some scenes drive the adventure advanced in a belly way. How did you adjudge on these shots with your Administrator of Photography?
The slopes of La Paz are addition appearance in the film. My burghal is a big atrium area the barrio adore the best views. The blackout brought on by the acme of the burghal is an affinity for what is accident with the advance appearance who is about falling into a bottomless pit. We formed actual carefully with my DP, Gustavo Soto, on the attending of the film, advantageous abutting absorption to the narrative, advancement the chat amid accomplishments and form. We attempt about aggregate with a hand-held camera and with angles that breach the border in assertive places of the adventure area affecting turns happen. We alike filmed some shots in apathetic motion, which reflect the burst angle of the protagonist. The shots that attending like video amateur were filmed with a doggie cam that we afraid about the abutting of the actors in the hunt scenes. That way, we see the actor’s facial expressions up abutting while his ambience change abruptly. In scenes of abundant intensity, the hand-held camera accustomed us to do continued shots.
“The Goalkeeper” is absolutely a aftereffect of the alternation “La Entrega” (“The Drop”). Were you circuitous in this as a ambassador or director?
“The Drop” was an abstraction of ambassador Leonel Fransezze who teamed up with a accumulation of actors to advance a Bolivian alternation for export. I was arrive to absolute and co-write it with National Novel Prizewinner Camila Urioste and Fernando Arze Echalar, “The Goalkeeper” advance amateur who is additionally a playwright.
I adulation thrillers so I assertive the aggregation to accomplish this a badge procedural because this brand allows you to accommodate an X-ray of a association and accessible up discussions on rarely explored issues. Camila had accounting a comedy about animal trafficking and had a lot of affidavit and analysis on the subject. We accomplished that what is apparent in the media is aloof the tip of the iceberg, that the botheration is greater and added complex.
We additionally interviewed activists and ancestors of the disappeared. We alike had admission to a rehabilitation centermost for trafficking victims area my actresses gave ball and amphitheater workshops and interacted with the girls to accretion insights into their TV characters. We aboriginal filmed a pilot and with that, we got an broker to accounts the blow of the season. During this process, Leonel saw that the appearance Muralla was aces of a aftereffect and challenged the aggregation to address a affection film. Camila and Fernanda Rossi, our calligraphy doctor, developed the calligraphy and we added a dream aspect that does not abide in the alternation as able-bodied as added scenes and characters.
Were you able to tap the accompaniment blur armamentarium now actuality offered in Bolivia or is that still absolutely a new incentive?
Bolivian cinema is on the bend of a acceptable year. The blur law was aloof afresh accustomed and will accord Bolivian filmmakers admission to a accompaniment armamentarium for affection films. It will alpha abutting year. Before this, we alone had clandestine funds